2008 Screening Schedule

Mon 3 March:
Opening Night Party, 6pm
The Young Girls of Rochefort by Jacques Demy, 6:30pm
Mon 10 March:
Jacquot de Nantes by Agnes Varda, 6:30pm
Mon 17 March:
Bay of Angels by Jacques Demy, 6:30pm
Mon 24 March: NO SCREENING - Easter Monday
Mon 31 March:
Donkey Skin by Jacques Demy, 6:30pm
Mon 7 April:
Umbrellas of Cherbourg by Jacques Demy, 6:30pm
Mon 14 April:
Pool of Princesses by Bettina Blumner, 6:30pm
Mon 21 April: NO SCREENING - World Cinema Showcase, Members get discounted tickets!
Mon 28 April: NO SCREENING - World Cinema Showcase, Members get discounted tickets!
Mon 5 May:
Requiem by Hans Christian-Schmid, 6:30pm
Mon 12 May:
Ghosts by Christian Petzold, 6:30pm
Mon 19 May:
The Round-Up by Miklós Janscó, 6:30pm
Mon 26 May:
Ivan the Terrible Parts I & II by Sergei Eisenstein, 8:00pm
Mon 2 June: NO SCREENING - Queen's Birthday
Mon 9 June:
Zabriskie Point by Michelangelo Antonioni, 6:30pm
Mon 16 June:
The Passenger by Michelangelo Antonioni, 6:30pm
Mon 23 June:
Control Room by Jehane Noujaim, 6:30pm
Mon 30 June:
Killer of Sheep by Charles Burnett, 6:30pm
Mon 7 July:
Several Friends / The Horse / When it Rains / My Brother's Wedding by Charles Burnett, 6:30pm
Mon 14 July:
Unknown Chaplin by Brownlow & Gill, 8:00pm
Mon 21 July:
Fanny & Alexander by Ingmar Bergman, 8:00pm
Mon 28 July:
The Glass Shield by Charles Burnett, 6:30pm
Mon 4 August: NO SCREENING - International Film Festival, Members get discount tickets!
Mon 11 August: NO SCREENING - International Film Festival, Members get discount tickets!
Mon 18 August:
The Man Without a Past by Aki Kaurismaki, 6:30pm
Mon 25 August:
The World of Apu by Satayajit Ray, 6:30pm
Mon 1 September:
Kiwi Jokers (NZ Shorts) by Various Directors, 6:30pm
Mon 8 September:
The Footstep Man by Leon Narbey, 6:30pm
Mon 15 September:
Charleen / Backyard by Ross McElwee, 6:30pm
Mon 22 September:
Sherman's March by Ross McElwee, 8:00pm
Mon 29 September:
Time Indefinite by Ross McElwee, 6:30pm
Mon 6 October:
The King and the Clown by Lee Jun-ik, 6:30pm
Mon 13 October:
Forbidden Quest by Kim Dae-woo, 6:30pm
Mon 20 October: DOUBLE FEATURE
Barking Dogs Never Bite by Bong Joon-ho, 6:30pm
Driving with my Wife's Lover by Kim Tai-sik
From the archives:

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CLOSING NIGHT DOUBLE FEATURE

Screening: Monday 20 October, 6:30pm

Barking Dogs Never Bite

Flandersui gae, Bong Joon-ho, South Korea 2000

A low-ranking university lecturer (Lee Sung-jae), strained by the pressures of money and his wife's pregnancy, snaps one night at the incessant barking of a neighbor's puppy. After seizing the dog and exacting a cruel revenge, he nonetheless fails to secure the peace and quiet he so desires.

Meanwhile, an employee at the apartment office (Bae Doo-na) receives a notice from a young girl about her missing dog… Barking Dogs Never Bite is hard to characterize: part comedy and part cruel social satire, the film is spiced with scenes and characters which seem unique to the cinema of Korea, or perhaps any country.

The film neither looks nor feels like an art film, and yet on closer viewing, the aesthetic it creates is both complex and extremely well-executed. The film marks the debut of Bong Joon-ho, one of Korea's most talented and respected filmmakers who would go on to make Memories of Murder (2003) and The Host (2006).

Bong's mastery of craft and attention to detail are apparent from this first feature… In today's cinema it's rare to encounter a work that feels like it's writing its own rules, but Barking Dogs Never Bite is an exception. From its black humor (pet lovers beware!) and searing indictment of academia to its quirky explorations of everyday life in a modern apartment complex, this film ranks as one of the most accomplished debut works of recent Korean cinema. — Darcy Paquet

(35mm, In Korean with English subtitles, 106 minutes, colour)

Driving With My Wife's Lover

Aneeui aeineul mannada, Kim Tai-sik, South Korea 2007

This beautifully stylized feature debut from Korean director Kim Tai-sik begins with a straightforward story line that revolves around marital infidelity and a scorned husband's quest for revenge, but quickly evolves into a rich and layered journey toward self-discovery. After realizing that his wife has been cheating on him, mild-mannered stamp maker Tae-han leaves his small seaside town of Naksan determined to track down his wife's lover, a taxicab driver from Seoul named Joong-sik.

During one of the most intense heat waves on record, he travels to the city, where he successfully finds his target and hires him for a long-distance cab ride back to Naksan. As they drive down the highway, Tae-han refrains from revealing his secret to his new rival, and an unlikely bond develops between the two men.

When they are faced with a series of unexpected detours along the way, Tae-han finds ample time to reassess his devious plans as the similarities and differences between the two men begin to surface. Far more than just a quirky road trip through South Korea, Driving With My Wife's Lover is an intricately crafted character study that paints an intimate and vivid picture while remaining refreshingly simple at its core. — Adam Montgomery

(35mm, In Korean with English subtitles, 92 minutes, colour)