Mon 3 March: Opening Night Party, 6pm The Young Girls of Rochefort by Jacques Demy, 6:30pm Mon 10 March: Jacquot de Nantes by Agnes Varda, 6:30pm Mon 17 March: Bay of Angels by Jacques Demy, 6:30pm
Mon 24 March: NO SCREENING - Easter Monday Mon 31 March: Donkey Skin by Jacques Demy, 6:30pm Mon 7 April: Umbrellas of Cherbourg by Jacques Demy, 6:30pm Mon 14 April: Pool of Princesses by Bettina Blumner, 6:30pm
Mon 21 April: NO SCREENING - World Cinema Showcase, Members get discounted tickets!
Mon 28 April: NO SCREENING - World Cinema Showcase, Members get discounted tickets! Mon 5 May: Requiem by Hans Christian-Schmid, 6:30pm Mon 12 May: Ghosts by Christian Petzold, 6:30pm Mon 19 May: The Round-Up by Miklós Janscó, 6:30pm Mon 26 May: Ivan the Terrible Parts I & II by Sergei Eisenstein, 8:00pm
Mon 2 June: NO SCREENING - Queen's Birthday Mon 9 June: Zabriskie Point by Michelangelo Antonioni, 6:30pm Mon 16 June: The Passenger by Michelangelo Antonioni, 6:30pm Mon 23 June: Control Room by Jehane Noujaim, 6:30pm Mon 30 June: Killer of Sheep by Charles Burnett, 6:30pm Mon 7 July: Several Friends / The Horse / When it Rains / My Brother's Wedding by Charles Burnett, 6:30pm Mon 14 July: Unknown Chaplin by Brownlow & Gill, 8:00pm Mon 21 July: Fanny & Alexander by Ingmar Bergman, 8:00pm Mon 28 July: The Glass Shield by Charles Burnett, 6:30pm
Mon 4 August: NO SCREENING - International Film Festival, Members get discount tickets!
Mon 11 August: NO SCREENING - International Film Festival, Members get discount tickets! Mon 18 August: The Man Without a Past by Aki Kaurismaki, 6:30pm Mon 25 August: The World of Apu by Satayajit Ray, 6:30pm Mon 1 September: Kiwi Jokers (NZ Shorts) by Various Directors, 6:30pm Mon 8 September: The Footstep Man by Leon Narbey, 6:30pm Mon 15 September: Charleen / Backyard by Ross McElwee, 6:30pm Mon 22 September: Sherman's March by Ross McElwee, 8:00pm Mon 29 September: Time Indefinite by Ross McElwee, 6:30pm Mon 6 October: The King and the Clown by Lee Jun-ik, 6:30pm Mon 13 October: Forbidden Quest by Kim Dae-woo, 6:30pm Mon 20 October: DOUBLE FEATURE Barking Dogs Never Bite by Bong Joon-ho, 6:30pm Driving with my Wife's Lover by Kim Tai-sik
A penetrating political thriller, The Passenger,
set in the Sahara, is also a desert film, and it resembles the much earlier L'avventura — a desert island film — with its
horizontal vistas and its theme of absence.
Jack Nicholson portrays a London journalist named Locke who, sent to cover a rebellion in North Africa, assumes the
identity of a man, Robertson, who has died in the next hotel room. Locke is running away from being a journalist — from the
codes that replace knowing, the images that replace seeing. He's much like Monica Vitti's Vittoria in L'eclisse in
his desire for escape, for a mask.
But, embracing Robertson's globetrotting, increasingly mysterious persona,
he finds himself pursuing not the man's life, but his death. Even the camera seems to have a will toward another world:
it distractedly tracks a passing camel in the desert, an anachronistic horse-drawn carriage in Munich.
The film's famous
final seven-minute zoom literally draws out the pain of seeing in focus. — Judy Bloch