Mon 3 March: Opening Night Party, 6pm The Young Girls of Rochefort by Jacques Demy, 6:30pm Mon 10 March: Jacquot de Nantes by Agnes Varda, 6:30pm Mon 17 March: Bay of Angels by Jacques Demy, 6:30pm
Mon 24 March: NO SCREENING - Easter Monday Mon 31 March: Donkey Skin by Jacques Demy, 6:30pm Mon 7 April: Umbrellas of Cherbourg by Jacques Demy, 6:30pm Mon 14 April: Pool of Princesses by Bettina Blumner, 6:30pm
Mon 21 April: NO SCREENING - World Cinema Showcase, Members get discounted tickets!
Mon 28 April: NO SCREENING - World Cinema Showcase, Members get discounted tickets! Mon 5 May: Requiem by Hans Christian-Schmid, 6:30pm Mon 12 May: Ghosts by Christian Petzold, 6:30pm Mon 19 May: The Round-Up by Miklós Janscó, 6:30pm Mon 26 May: Ivan the Terrible Parts I & II by Sergei Eisenstein, 8:00pm
Mon 2 June: NO SCREENING - Queen's Birthday Mon 9 June: Zabriskie Point by Michelangelo Antonioni, 6:30pm Mon 16 June: The Passenger by Michelangelo Antonioni, 6:30pm Mon 23 June: Control Room by Jehane Noujaim, 6:30pm Mon 30 June: Killer of Sheep by Charles Burnett, 6:30pm Mon 7 July: Several Friends / The Horse / When it Rains / My Brother's Wedding by Charles Burnett, 6:30pm Mon 14 July: Unknown Chaplin by Brownlow & Gill, 8:00pm Mon 21 July: Fanny & Alexander by Ingmar Bergman, 8:00pm Mon 28 July: The Glass Shield by Charles Burnett, 6:30pm
Mon 4 August: NO SCREENING - International Film Festival, Members get discount tickets!
Mon 11 August: NO SCREENING - International Film Festival, Members get discount tickets! Mon 18 August: The Man Without a Past by Aki Kaurismaki, 6:30pm Mon 25 August: The World of Apu by Satayajit Ray, 6:30pm Mon 1 September: Kiwi Jokers (NZ Shorts) by Various Directors, 6:30pm Mon 8 September: The Footstep Man by Leon Narbey, 6:30pm Mon 15 September: Charleen / Backyard by Ross McElwee, 6:30pm Mon 22 September: Sherman's March by Ross McElwee, 8:00pm Mon 29 September: Time Indefinite by Ross McElwee, 6:30pm Mon 6 October: The King and the Clown by Lee Jun-ik, 6:30pm Mon 13 October: Forbidden Quest by Kim Dae-woo, 6:30pm Mon 20 October: DOUBLE FEATURE Barking Dogs Never Bite by Bong Joon-ho, 6:30pm Driving with my Wife's Lover by Kim Tai-sik
Lured to the United States by an ambitious MGM, Antonioni set about coolly
redefining California dreaming in this wander through a Los Angeles baking in its own heat—from both the cultures
within it and the deserts that surround it.
Studio executives may have hoped for some marketable sex from the
counterculture plotline involving a tight-jeaned, plane-thieving rebel and a leggy, well-tanned hippie child,
but Antonioni amusingly appears more aroused by the landscapes —the manmade urban realm seen and heard through a blur
of industrial signs, salvage yards, and the ambient din of clattering machines and humans, and the vast natural setting
just outside the city, the desert mirages of Death Valley's heat and light.
Cued to an appropriately sedated
soundtrack of Pink Floyd and Jerry Garcia, Zabriskie Point is grounded in the realities of radical sixties
American culture, and ecstatically detached — in thought, aesthetics, and narrative concerns — from the Hollywood system.
— Jason Sanders