2009 Schedule of Films

All screenings are at Rialto Cinemas on Monday nights at 6:30pm

Mon 2 March:
BASQUIAT
Dir. Julian Schnabel (USA 1996)
Mon 9 March:
GOSPEL ACCORDING TO HARRY
Dir. Lech Majewski (USA/Poland 1992)
Mon 16 March:
MAUVAIS SANG
Dir. Leos Carax (France 1986)
Mon 23 March:
Special Guest: Lech Majewski!
GARDEN OF EARTHLY DELIGHTS
Dir. Majewski (UK/Italy 2004)
Monday 30 March: No Screening - World Cinema Showcase, Members get discounted tickets!
Mon 6 April:
ANGELUS
Dir. Lech Majewski (Poland 2000)
Monday 13 April:
No Screening - Easter Monday
Mon 20 April:
MOOLAADE
Dir. Ousmane Sembene (Senegal/France 2004)
Mon 27 April:
DIVA
Dir. Jean-Jacques Beineix (France 1981)
Mon 4 May:
DARWIN'S NIGHTMARE
Dir. Herbert Sauper (Austria/France/Belgium 2004)
Mon 11 May:
MANUFACTURED LANDSCAPES
Dir. Jennifer Baichwal (Canada 2006)
Mon 18 May:
LA SENTINELLE
Dir. Arnaud Desplechin (France 1992)
Mon 25 May:
MALA NOCHE
Dir. Gus Van Sant (USA 1985)
Monday 1 June:
No Screening - Queen's Birthday
Mon 8 June:
I WAS NINETEEN
Dir. Konrad Wolf (East Germany 1968)
Mon 15 June:
THE ARCHITECTS
Dir. Peter Kahane (East Germany 1990)
Mon 22 June:
FLANDERS
Dir. Bruno Dumont (France 2006)
Mon 29 June:
BERLIN-SCHOENHAUSER CORNER
Dir. Gerhard Klein (East Germany 1957)
Mon 6 July:
MY BELOVED HOMELAND / BRIDE OF GALILEE
Dir. Basel Tannous (Palestine 2006)
Mon 13 July:
INFERNAL AFFAIRS
Dir. Andrew Lau & Alan Mak (Hong Kong 2002)
Mon 20 July:
GASLIGHT
Dir. George Cukor (USA 1944)
Mon 27 July:
BROKEN WINGS
Dir. Nir Bergman (Israel 2002)
Mon 3 August:
NO SCREENING - International Film Festival, Members get discount tickets!
Mon 10 August:
NO SCREENING - International Film Festival, Members get discount tickets!
Mon 17 August:
YOU THE LIVING
Dir. Roy Andersson (Sweden 2007)
Mon 24 August:
NOI THE ALBINO
Dir. Dagur Kari (Iceland 2003)
Mon 31 August:
CINEVARDAPHOTO
Dir. Agnes Varda (France 2004)
Mon 7 September:
CHARLIE CHAPLIN SHORTS - WITH LIVE MUSICAL ACCOMPANIMENT
14-16 September:
Belladonna Short Film Festival
Filmsoc members get free entry to all screenings
Mon 21 September:
AGNES VARDA: PARIS
Shorts, Dir. Agnes Varda (France 1958-2003)
Mon 28 September:
ATTACK THE GAS STATION
Dir. Kim Sang-jin (Korea 1999)
Mon 5 October:
LEAVE ALL FAIR
Dir. John Reid (NZ 1986)
Mon 12 October:
OCCUPATION 101
Dir. Abdallah & Sufyan Omeish (Palestine)
Mon 19 October:
RAIN
Dir. Christine Jeffs (NZ 2001)

Manufactured Landscapes

Screening: Monday 11 May, 6:30pm

Jennifer Baichwal | Canada | 2006 | G

A staggering, unconventional documentary that follows celebrated Canadian photographer Edward Burtynsky on a tour of Asia, where he trains his lens on monuments of colossal industrialisation such as China’s Three Gorges Dam.

Burtynsky’s luscious, monolithically scaled portraits of industrial landscapes – factory workers lined up to infinity, giant ships eviscerated, massive recycling dumps, expansive strip mines – have won him an international reputation. His goal is to portray humanity’s relationship with nature in its relentless pursuit of progress, drawing our attention to such urgent topics as global warming and peak oil. — Bianca Zander, New Zealand Film Festivals 2007

Art and environmentalism collide in Manufactured Landscapes, with results that are more fascinating for their ambiguity… In his work, Burtynsky aims to remain morally neutral. Although in voiceover interviews he muses about the consequences of consumerism, behind the camera he insists that ’this is what it is’ – beyond simple right and wrong, a fact of existence that requires new kinds of debate.

A large chunk of the movie is devoted to a place where these issues are particularly relevant: China, where the shift from agricultural to urban life is unprecedented in world history. Burtynsky studies the Three Gorges Dam, the largest (by a wide margin) ever built by man, and Shanghai, where traditional dwellings are vanishing to make way for high-rises… The result is a highly unusual viewing experience that stimulates the senses and the conscience simultaneously. Burtynsky may be reluctant to pin his images down by attaching morals to them, but viewers will be unable to ignore the troubling questions they present. — John DeFoe, Hollywood Reporter

(90 minutes, 35mm)

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